The Ganapati Kulam is hard at work on the July/August/September, 2009, edition of Hinduism Today. This issue's feature article will be about Iraivan Temple. It is a beautiful, colorful article penned by our correspondent Lavina Melwani in New York. The worshipful image of Iraivan Temple, the maha sphatika Sivalingam, figures prominently. Out of our archives we dug this image, painted by artist Manivelu in Chennai, updating it with Photoshop magic to show the avudaiyar (base of the lingam) in panchaloka, a special type of bronze that is a blend of five metals prescribed in the Agamas for certain temple murtis. As you have seen on TAKA recently, this massive, 10,000-pound metal base has recently been cast by sthapatis in Swamimalai, Tamil Nadu. It is now getting its final touches before it is shipped to Kauai.
Key concepts: Naalupadasaivam: "A Saiva doctrine that the initiate should pass successively through charya, kriya, yoga and jnana stages and thence obtain moksha." The charya pada, the dasa marga, path of servitude. Sharing the world of God. The kriya pada, satputra marga, true son's way. Nearness to God. The yoga pada, sakha marga, way of the friend, experiencing inner light, sharing the superconscious mind. We talk to God. The jnana pada, san marga, sayujya patavi, union with God. There is no difference between Siva and the soul. God is our dearest Beloved. The three types of temples provide training and experience leading to worship and meditation in the Atma kovil.