In the years ahead a special mandapam will be built over the Swayambhu Lingam on San Marga with paintings of Gurudeva’s visions on the ceiling. Until then, the vision art and the story will be displayed on an outdoor display. Kulapati Deva Rajan has been working on this project about a year while we have been waiting for the artwork from India.
It is all being made with clear redwood. Here Deva is cutting the end of a stopped notch on the three frames that will hold digital copies of the mural art being created in Kerala. The long stretcher pieces are on the bench in the background. Deva comes to Kauai two or three times each year to work on the project with Acharya Kumarswami. The monastery woodworking shop is a contemporary blend of power tools and hand tools, including superb Japanese and Western planes, chisels and saws.
Deva Rajan stops for a moment at the front entry of the wood shop, having just cleaned up a special, fine-tooth blade we used for a critical cut, before putting the blade away for safe keeping. You can see the water stone sharpening station on the right, the place where all plane and chisel blades are brought to a razor edge.
Deva and Acharya Kumarswami assembled the structures over the recent three-day retreat. Here the tenoned beams are being slid into the mortises, making an H-shaped structure that will hold the art frames.
The building material is all old-growth redwood that was salvaged by Deva’s construction crew about ten years ago from a retired water tower in northern California. The tank was 50 feet in diameter, made of clear 3″x8″ x 20-foot pieces. Here Deva is tapping in the wedges that will secure the tenons. Notice the come-along the team used to pull the posts together to make a joint so snug that it can be a home for elementals. The wedges are made from Monterey Cyprus wood harvested in Kokee and milled at the monastery.
Some fancy joinery here! The mortise is splayed to accommodate the wedges. There is no turning back at this point.
The artwork will be mounted inside these frames, three canvasses in each display, nine in all.
"Temples with multiple deities can be confusing, especially for today's Hindu youth. For clarity, we need to bring forward a more precise understanding of the different Hindu denominations and how the different Gods are viewed from within each denomination. For spiritual advancement it is best to focus on one deity and get to the vibration that deity. When we hear teachings from various Hindus, it is important to understand and identify which denomination they are speaking from. This will avert confusion when that teaching gets contradicted in a different context where someone is talking about the same subject but from a different philosophical background."
Bodhinatha reviews the main characteristic of Saivite philosophy and practice with an indepth focus on the four stages of religions evolution, chariya, kriya, yoga and jnana. He highlights how this shows that Saiva Siddhanta is unique and quite from the modern practice of Hinduism as Vedanta