This if the final part of the drawings and its the closeup of the makaram. Its an composed of various animals like parrot, crocodile elephant etc. We can see the elephant trunk, then a crocodile like mouth and it has wings and legs of a bird.
This is the elephant that is holding or pulling the makaram. This yesti is a double step yesti.
Selvanathan Stapathi fine tuning the temple part of it.
Shekar Stapathi and Assistant Stapathi Manikantan again, yes we have two Manikantans in our site. This is the one in the blue shirt. He was also part of the last batch of silpis.
Here, they are working on the front elevation of the yesti.
More formations of the same.
And Stapathi marks the same yesti on a piece of tracing so that we can make a cement model from it before carving.
"Temples with multiple deities can be confusing, especially for today's Hindu youth. For clarity, we need to bring forward a more precise understanding of the different Hindu denominations and how the different Gods are viewed from within each denomination. For spiritual advancement it is best to focus on one deity and get to the vibration that deity. When we hear teachings from various Hindus, it is important to understand and identify which denomination they are speaking from. This will avert confusion when that teaching gets contradicted in a different context where someone is talking about the same subject but from a different philosophical background."
Bodhinatha reviews the main characteristic of Saivite philosophy and practice with an indepth focus on the four stages of religions evolution, chariya, kriya, yoga and jnana. He highlights how this shows that Saiva Siddhanta is unique and quite from the modern practice of Hinduism as Vedanta