We welcome you to enjoy this short story that took many moons to complete. Large projects at the monastery take much effort and a small village of selfless servants to get it done. Thank you to everyone who has helped and will help in the moons to come.
Good Saturday everyone, today is the last day of the phase and we are going into a 3-day retreat, but first a few photos of our Siddhidata Kulam working on the monastery's CAT Skid Steer. This full day job was one of the cat's major services.
After months of toiling and research, Acharya Arumuganathaswami was ready to test out his recently-crafted barrell washer. Our method of cleaning the freshly harvested fruit heretofore was entirely manual. While effective, it isn't entirely the most efficient. Automating some of that process will aid in the overall production.
A few weeks ago, the monastery received the most recently completely bronze piece for the Temple Builder's Memorial. This piece is of two silpis moving a large, roughly hewn block of granite with iron crowbars while using a simple block of wood for leverage. In the long slideshow below we take you through the several steps required to produce a world-class bronze.
Out of curiosity, we asked chief metal craftsman in Loveland, Colorado, Bobby Page, if he was aware of any other similar project to ours. This was his response:
"In Kathy and my 34 plus years of working with thousands of artists and too many projects to count the Temple bronze's are quite unique as we have never seen or worked on a project that tells the story of a process to that scale. I have also asked some local (old time) artisans in the area the same question and they have never heard of anything like it.
"Other than works we have done for Na Aina Kai (a world class botanical garden on Kaua`i) we can't think of any other family of bronze's. Especially workers/builders the common hands with blisters on dusty tired hands going home to rest at the end of a hard day with the echo of hammering still ringing in their ears. The countless tiny bits that get in the eyes even when glasses are worn. The missed stroke of the hammer hitting the hand or even worse marring the work.
"Holly has done such a wonderful depiction of all the pieces in the memorial that I feel quite close to them all working/looking at them, learning what they do and thinking of them as not just a work of art but people like me.
"In my opinion that is what makes this so special. They are alive in their story. And to have so many great works (literally tons) we have had a hand in on beautiful Kauai with the Monastery and Na Aina Kai is something words can't describe and I can't think of a better place.
"It is all perfect. Much Love and many thanks to all on this journey we share.
We present a complete slideshow of the Siddhidata Kulam's creation of Satguru Bodhinatha Veylanswami's new procession chariot which was first used on this past Satguru Purnima. The ensuing weeks before the big day involved *a lot* of work on the part of the Siddhidata Kulam to ensure it would be completed in time. For them, we are thankful.
Archives are now available through 2001. Light colored days have no posts. 1998-2001 coming later.