In India today dozens of stone craftsmen are working on Iraivan projects, and other sculptures for the monastery. Here the YA step, one of the NAMASIVAYA steps up to the sanctum, is being carved. The finished side is away from us.
Meanwhile, the major project in Bengaluru is the carving of the Nandi Mandapam, shown here (though the 45-foot-tall flagpole is just barely seen at the top of the drawing). This little temple within a temple will have some of the most elaborate and detailed sculpting of all, and a charming Nandi will sit contentedly within his stall.
Nandi the bull represents the ego or personal identity of each soul and also the desire for realization of God. He sits in front of the flag pole, beholding Siva night and day.
This is the top of one of the 12 pillars.
The pillars are small, as you can see.
Part of the roof stones.
It's a large project that most of the silpis in India are now focused on under the able direction of the Jiva Rajasankara family.
"Temples with multiple deities can be confusing, especially for today's Hindu youth. For clarity, we need to bring forward a more precise understanding of the different Hindu denominations and how the different Gods are viewed from within each denomination. For spiritual advancement it is best to focus on one deity and get to the vibration that deity. When we hear teachings from various Hindus, it is important to understand and identify which denomination they are speaking from. This will avert confusion when that teaching gets contradicted in a different context where someone is talking about the same subject but from a different philosophical background."
Bodhinatha reviews the main characteristic of Saivite philosophy and practice with an indepth focus on the four stages of religions evolution, chariya, kriya, yoga and jnana. He highlights how this shows that Saiva Siddhanta is unique and quite from the modern practice of Hinduism as Vedanta