Temples

Artists We Work With Receive Award in Tamil Nadu

Over the decades we have commissioned a large amount of artwork by painter A. Manivelu for our publications, and we also hired sculptor L. Balachander to create the five forms of Siva placed in the niches around Iraivan Temple’s mukhapandam. These two artists are among six being honored by the Tamil Nadu government’s Art and Culture Department, Fine Arts Committee. They are receiving the Kalaichemmal Award for 2024-2025, which annually recognizes both traditional and contemporary artists in the field of fine arts for their exemplary achievements and contributions. The artists each receive a cash prices of Rs.100,000.

Here is a page of A Manivelu’s artwork.

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Satguru Back in State of Missouri

Satguru Bodhinatha Veylanswami has returned to the St. Louis metro area on a short trip. He is chief guest for the prana pratishtha of the utsava murtis at the Murugan Temple of St. Louis. Flights were delayed, but he was able to attend the main event on Sept 15 from about 9am to 2:30pm. The event was the second yagashala puja followed by abhishekam of the utsava murtis. In the middle Satguru gave his talk on “Why Do We Need Hindu Temples?” About eight hundred devotees in attendance—they had expected five hundred.

There were three priests involved. One of them, Sivasri Muralidharan Bharadhwaj Gurukkal, had participated in Iraivan Temple’s prana pratishtha events last year.

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Satguru’s Current Travel, Part Two

Satguru Bodhinatha Veylanswami was invited to attend the Montreal Murugan Temple Chariot Festival held in late August. The Montreal Murugan Temple was established in 1983 and was the first Saivite temple in the province of Quebec, Canada. The Chariot Festival was an elaborate event featuring several nadaswaram players and drummers, multiple priests, and thousands of devotees in attendance. The following four-hour video gives an up-close view of the sacred celebration.

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Welcoming the 2024 Jivana Ritau

Today is the first full day of our new season, the Jivana Ritau. Early this morning, monastics and members gathered in Kadavul Temple for a homa. Following the final arati they proceeded out the the Aadheenam’s flagpole to fly the dvaja for the new season.

Excerpts from Saiva Dharma Shastras about the this time of year:
“Beginning with Hindu New Year in mid-April, three seasons of the year divide our activities into three great needs of humankind the learning of scripture in the first season, Nartana Ritau; the living of culture in the second season, Jivana Ritau; and the meditating on Siva in the third season, Moksha Ritau. Thus we are constantly reminded that our life is Siva’s life and our path to Him is through study, sadhana and realization. In ritau one, we teach the philosophy; in ritau two, we teach the culture; and in ritau three, we teach meditation.

During Jivana Ritau, the rainy season, from mid-August to mid-December,Living with Siva: Hinduism’s Contemporary Cultureis the primary text. The key word of this season is work. The colors are rust, copper-maroon and all shades of red rust for earthy preservation, copper-maroon for fulfillment and red for physical energy. The Aadheenam’s flag pole flies the rust-colored dhvaja, symbolizing environmental care. Copper-maroon and all shades of red adorn our smaller flags. This is the season of honoring and showing appreciation for those in the vanaprastha ashrama, life’s elder advisor stage. The focus is on preserving what has been created, manifesting goals and fulfilling plans made in the past. Inwardly the emphasis is on direct cognition and caring for the practical details of the external world. Practicality is a word much used this season.”

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