Kauai Aadheenam

Aum Namah Sivaya

Recently Kauai has been having bright sunny days with a few clouds and perfect temperatures. It’s our spring time and the flowers have started blooming everywhere, while the birds and insects are happily enjoying the clear air. During the full moon our monks observed a three day retreat—a good time to appreciate the ocean side, and to take longer walks throughout the monastery gardens. This is the season is when we have Nēnē (our special endemic Hawaiian geese) visiting the property. A specific group (see slideshow) has chosen to make the Aadheenam a consistent stop in their migration cycle. Aum.

“I am the waves. I am the ocean. We are all waves-there is no higher wave or lower wave. The waves and the ocean are one. You have to plunge yourself in the ocean.” – Siva Yogaswami

Aum Namah Śivaya

During his training as a monastic Aspirant, Brahmachari Arinien has been having many classes with the monks, including philosophy classes with Siddhanathaswami, meditation training with Tillainathaswami, puja training with Mayilnathaswami and Sanskrit chanting with Kumarnathaswami. Over the last few weeks, Brahmachari has begun his classes with Arumuganathaswami in preparation for taking his next steps towards monastic life. This next step involves the taking the Supplicancy vows of Purity, Humility, and Obedience. Once entered, this stage is the final 6-8 month period before someone is ready to take their vows as a monastic sadhaka. One of the wonderful pieces of study in Arinien’s current material is Gurudeva’s On the Brink of the Absolute which reads as follows:

“On the brink of the absolute. The higher states of consciousness very few people are familiar with, having never experienced them. They are very pleasant to learn of, and yet out of our grasp until we have that direct experience of a higher state of expanded consciousness. The mind, in its density, keeps us from the knowledge of the Self. And then we attain a little knowledge of the existence of the Self as a result of the mind freeing itself from desires and cravings, hates and fears and the various and varied things of the mind. I say “things” because if you could see hate, you would see it as a thing that lives with one as a companion. If you could see fear, you’d see it as a thing, and as understanding comes, that thing called fear walks away down the road, never to return. ¶As you unfold spiritually, it is difficult to explain what you find that you know. At first you feel light shining within, and that light you think you have created with your mind, and yet you will find that, as you quiet your mind, you can see that light again and again, and it becomes brighter and brighter, and then you begin to wonder what is in the center of that light. “If it is the light of my True Being, why does it not quiet the mind?” ¶Then, as you live the so-called “good life,” a life that treats your conscience right, that light does get brighter and brighter, and as you contemplate it, you pierce through into the center of that light, and you begin to see the various beautiful forms, forms more beautiful than the physical world has to offer, beautiful colors, in that fourth-dimensional realm, more beautiful than this material world has to offer. And then you say to yourself, “Why forms? Why color, when the scriptures tell me that I am timeless, causeless and formless?” And you seek only for the colorless color and the formless form. But the mind in its various and varied happenings, like a perpetual cinema play, pulls you down and keeps you hidden within its ramifications. ¶In your constant striving to control that mind, your soul comes into action as a manifestation of will, and you quiet more and more of that mind and enter into a deeper state of contemplation where you see a scintillating light more radiant than the sun, and as it bursts within you, you begin to know that you are the cause of that light which you apparently see. And in that knowing, you cling to it as a drowning man clings to a stick of wood floating upon the ocean. You cling to it and the will grows stronger; the mind becomes calm through your understanding of experience and how experience has become created. As your mind releases its hold on you of its desires and cravings, you dive deeper, fearlessly, into the center of this blazing avalanche of light, losing your consciousness in That which is beyond consciousness. ¶And as you come back into the mind, you not only see the mind for what it is; you see the mind for what it isn’t. You are free, and you find men and women bound, and what you find you are not attached to, because binder and the bound are one. You become the path. You become the way. You are the light. And as you watch souls unfold, some choose the path of the spirit; some choose the path of the mind. As you watch and wonder, your wondering is in itself a contemplation of the universe, and on the brink of the Absolute you look into the mind, and one tiny atom magnifies itself greater than the entire universe, and you see, at a glance, evolution from beginning to end, inside and outside, in that one small atom. ¶Again, as you leave external form and dive into that light which you become, you realize beyond realization a knowing deeper than thinking, a knowing deeper than understanding, a knowing which is the very, very depth of your being. You realize immortality, that you are immortal—this body but a shell, when it fades; this mind but an encasement, when it fades. Even in their fading there is no reality. ¶And as you come out of that samadhi, you realize you are the spirit, you become that spirit, you actually are that spirit, consciously, if you could say spirit has a consciousness. You are that spirit in every living soul. You realize you are That which everyone, in their intelligent state or their ignorant state, everyone, is striving for—a realization of that spirit that you are. ¶And then again for brief interludes you might come into the conscious mind and relate life to a past and a future and tarry there but for a while. But in a moment of concentration, your eye resting on a single line of a scripture or anything that holds the interest of the mind, the illusion of past and future fades, and again you become that light, that life deep within every living form—timeless, causeless, spaceless. ¶Then we say, “Why, why, after having realized the Self do you hold a form, do you hold a consciousness of mind? Why?” The answer is but simple and complete: you do not; of yourself you do not. But every promise made must have its fulfillment, and promises to close devotees and the desire that they hold for realization of their true being hold this form, this mind, in a lower conscious state. Were the devotees and disciples to release their desires for realization but for one minute, their satguru would be no more. Once having realized the Self, you are free of time, cause and change.”

Aum Namah Śivaya!

Today is Ardra nakshatra. With the Iraivan Krittika Homa taking place just a few days ago, the energies are indeed scintillating. Hours ago, the monks finished the abhishekam to Lord Nataraja in Kadavul Temple.

For those who’d like to get into some dense studies, here below is a deep dive into the Siva Sutras—summarized from parts of Satguru Bodhinatha Veylanswami’s 2018 Innersearch class material.

Introduction

In the great iconography of Nataraja—Siva as Lord of the Cosmic Dance—every detail carries meaning. The fire in His left hand is dissolution; the raised foot is liberation; the demon beneath Him is the ego’s bondage. But one element holds a cosmological secret that rewards especially close attention: the small hourglass drum, the damaru, held aloft in His upper right hand. According to Shaiva tradition, it was that drum, sounded fourteen times at the close of the Cosmic Dance, that gave birth to the Sanskrit language itself—and with it, a map of all existence.

These fourteen drumbeats produced fourteen phonetic groupings known as the Siva Sutras, or Maheshvara Sutras. Each is a terse string of Sanskrit sounds, ending in a marker letter used by the grammarian Pāṇini to refer systematically to classes of phonemes. But the Shaiva reading of these sutras goes far beyond grammar. Taken together, the fourteen aphorisms constitute the entire phonetic inventory of Sanskrit—and in doing so, they trace the complete arc of creation: from the Absolute, through successive layers of manifestation, down to earth and embodied consciousness, and back again to Siva as the Self of all. To understand this is to see the Sanskrit alphabet not as an arbitrary set of linguistic symbols, but as a living cosmological diagram—each letter the seed-sound of a force or principle that constitutes reality.

Full Sutras

Audio & Full Text:

a i u ṇ — “a i” is nirguṇa Brahman united with chit-shakti; “u ṇ” is the “big bang” of awareness expanding everywhere from a single point of awareness and entering māyā.
ṛi ḷṛi k — Seeing Parasiva, Parashakti, Parameshvara and maya as a One Being.
e o ṅ — The witness-consciousness (sakshin or awareness) in all the manifested beings, then Parameshvara, Parashakti and finally Parasiva as a One Being.
ai au c — Parameshvara poised to commence creation by playing the damaru to expand the entire range of the universe which is within his own Self.
From the thirteen vowels, the first thirteen tattvas emerge.
ha ya va ra ṭ — Four of the five gross elements, each arising from its respective letter: space, air, fire, water.
la ṇ — Earth, the fifth gross element.
ña ma ṅ ṇa na m — The five subtle elements, each arising from its respective letter: sound, touch, form, taste, smell.
jha bha ñ | gha ḍha dha ṣ — The five organs of action, each arising from its respective letter: speech, hands, feet, anus, genitals.
ja ba ga ḍa da ś — The five organs of knowledge, each arising from its respective letter: ear, skin, eye, nose, tongue.
kha pha cha ṭha tha ca ṭa ta v — The five primary life currents, each arising from its respective letter: prāṇa, apāna, vyāna, udāna, samāna; and the three aspects of the mental faculty, each arising from its respective letter: manas, buddhi, ahaṃkāra.
ka pa y — Prakṛiti and purusha, each arising from its respective letter.
śa sha sa r — The three guṇas, each arising from its respective letter: rajas, tamas, sattva.
ha l — Siva as the Soul of all souls.

Longer Explanations of Each Line

Before the Beginning: The Nature of the Absolute

The first sutra opens with a single vowel: a. It is the first phoneme of the Sanskrit alphabet, and in the Shaiva understanding it is identified with Parasiva—Absolute Reality prior to all qualities, prior to all movement, prior to any distinction between knower and known. The letter a is self-luminous, the unmanifest ground of awareness. It is also implicitly present in every Sanskrit consonant, which carries an inherent a unless otherwise marked—the pervasive ground in which all sound is rooted.

Linked to a is the vowel i, identified with Parashakti, the conscious energy of Siva, called citkalā. Shakti is the dynamic aspect of the Absolute: where Parasiva is still ground, Parashakti is the potency within that ground, the seed of creative will. She is also identified with kāmabīja, the seed of desire, for it is through Shakti that the impulse toward creation first stirs. The tradition associates i with māyā, the creative flux through which the Lord enters the play of the worlds.

The third vowel of the first sutra, u, carries the quality of pervasiveness. Through Shakti (i), the Absolute (a) enters into māyā and, by means of all-pervasive presence (u), creates the worlds and governs them as Maheshvara, the Great Lord. These three vowels describe the movement from unmanifest Absolute to the Lord present within creation—continuous, not a single event.

The Four Levels of Sound

Before enumerating the principles of creation, the tradition describes the nature of sound itself, and in doing so maps the levels of consciousness. Four levels of vāk (speech or sound) are posited: parā, pashyantī, madhyamā, and vaikharī.

Parā vāk is the primordial state—undifferentiated, prior to any distinction, present in the Absolute as pure potentiality. All sounds, and all the worlds those sounds denote, exist here in unmanifest form. From parā emerges pashyantī, the “seeing” level at which differentiation begins. Then comes madhyamā, the middle ground at which the world, still latent, stands at the threshold of manifestation. Finally, sound reaches the viśuddhi cakra, the throat center, and becomes vaikharī: the audible word. This is a description of how consciousness moves from infinite openness into structured thought, word, and form.

Siva Assumes Form: The Threshold of Creation

The syllabic vowels ṛ and ḷ, associated with Parasiva and Parashakti-māyā, together activate māyā to bring forth the world of movables and immovables. Their unity is conveyed by a traditional image: as the moon cannot be separated from moonlight, nor a word from its meaning, so the Lord and His manifestation cannot ultimately be distinguished.

The vowels e and o point to Siva as the witness-consciousness (sākṣhin) present in all manifested things—the awareness in which existence arises and dissolves. The diphthongs ai and au introduce SadāSiva, the Eternal Auspicious Lord, the form the formless assumes at the threshold of active creation: “colored by Shakti,” willing to bring forth the universe from within His own Self.

The Five Elements and Their Subtle Essences

From here, the Siva Sutras become a phonetic inventory of the tattvas, the principles of manifest existence. The five gross elements (pañcabhūta) arise from five consonants: space (ākāsha) from ha; air from ya; fire from ra; water from va. Earth, emerging separately from the letter la, is the foundational element—the source of food, body, and the conditions of embodied life. It is associated with the mūlādhāra, the root support.

Underlying the gross elements are the five subtle elements, or tanmātras, the qualitative essences from which gross matter is fashioned. Sound is the tanmātra of space; touch of air; form of fire; taste of water; smell of earth. These arise from a subtler register of the alphabet.

The Instruments of Experience

The sutras then enumerate the instruments through which consciousness engages the world in embodied form. The five organs of action—speech, hands, feet, anus, and genitals—arise from consonants in the middle ranges of the alphabet, as do the five organs of knowledge: ear, skin, eye, nose, and tongue.

The five primary life currents, or vāyus—prāṇa, apāna, vyāna, udāna, and samāna, governing breath, digestion, circulation, upward movement, and integration—are encoded in the aspirated consonants, which carry the breath most audibly. The inner organ (antaḥkaraṇa) in its three aspects—manas (deliberating mind), buddhi (discriminating intellect), and ahaṃkāra (the sense of “I”)—arises from the first letters of the three middle consonant groups.

Prakṛiti, Purusha, and the Three Guṇas

At a more fundamental level, the two metaphysical principles recognized across nearly all schools of Hindu philosophy—prakṛiti (primordial nature) and purusha (pure witnessing consciousness)—are encoded in ka and pa, the opening letters of the two middle consonant groups.

From prakṛiti arise the three guṇas: rajas (activity), tamas (inertia), and sattva (clarity). These arise from the three sibilants śa, ṣa, and sa, a group unto themselves in Sanskrit phonology.

Ha: The Return to Siva

The fourteenth and final sutra centers on a single meaningful phoneme: ha. Having traced creation from the Absolute down through its layers—cosmic principles, elements, sense organs, life currents, mind, nature, and consciousness—the Siva Sutras arrive at their closing declaration. Siva is beyond all these tattvas. He is the Supreme One, the witness of all beings and their actions, the ātman—the Self—of all that exists.

The letter ha closes the series, the letter of the outbreath. In the Hamsa mantra—the natural mantra of breathing consciousness, whose reverse form so’ham means “I am That”—ha marks the pulse at which awareness returns to its source.

There is a final symmetry. The first letter of the Sanskrit alphabet is a; the last significant consonant is ha. Together—aham—they form the Sanskrit word for “I.” The entire alphabet, from opening vowel to closing consonant, spells out the self-recognition of the Absolute.

To learn Sanskrit in this light is not merely to acquire a classical language. It is to study, letter by letter, the grammar of consciousness as it unfolds into the world.

Aum Namah Śivaya. Śivaya Namah Aum

Happy New Year of Parabhava!

This samvatsara (year) is commonly associated with a theme of dissolution and transformation.
Para (परा): “away,” “beyond,” “off,” “reversed” — a prefix indicating reversal, opposition, or loss; bhava (भव): “being,” “becoming,” “existence,” “state” (from the root bhū, “to be”).
Taken together it references a “reversal of the current state of being” often stated as a “downfall which leads to its opposite.” Sounds like a good time for spiritual growth!

Today our monks began the day with our seasonal homa and a parade out to our flagpole. They raised the new dvaja for this spring season and for the new year as the Sun enters Mesha (Aries).

Here follows the passage from Saiva Dharma Shatras about how we should approach this new season:

Nartana Ritau, the season of Dancing with Siva, begins on Hindu New Year. This is the period of creation, the warm season, from mid-April through mid-August. The key word of this season is planning. The colors are orange, yellow-gold and all shades of green–orange for renunciation, yellow-gold for action, and green for regeneration. High above, the main Hindu flag flies the color orange, heralding the Nartana Ritau throughout this season, symbolizing sadhana and self-control. The other colors adorn smaller flags. This is the season of giving special attention to those in the grihastha ashrama. It is a time of awakening, renewal, review. The emphasis is on seeing ahead, planning for future years. It is a time of planning retreats and other activities for youths and adults for the entire year. During this time of looking forward, the Church’s six-year plan is updated by the Guru Mahasannidhanam and stewards and another year added. The Saiva Dharma Shastras are studied; and any needed additions in supplementary manuals, representing new growth, are made.

The practical focus is completion of unfinished projects. Secular holidays to observe among the families include Mothers Day in May, Fathers Day in June and Grandparents Day in August. In the monastery intensive cleaning of buildings and grounds takes place. New clothing is issued and old garments mended.

This season of harvest and new growth is also the time to review and reestablish picking and planting routines for the gardens. It is a time for ordering seeds and plants for the year, of planting trees, fragrant vines and the annual crop. Review is made for scheduling the care of all realms of the Aadheenam. Kadavul temple and the Guru Temple are cleaned and renewed during this season, and the adjacent grounds receive special, abundant attention.

The daily sadhana is the Sivachaitanya Panchatantra: experiencing nada, jyoti, prana, shakti and darshana. In Sanskrit, it is a time of learning new shlokas and mantras. Shrine rooms are renewed and redecorated for the year, and the clothing of all is renewed in the Hindu style of the current fashion. It is a time of doing things for others, religious outreach. In the missions, Nartana Ritau is the time of bringing in new students and Church members. It is a time of hatha yoga and philosophical teaching.

The main festival of Nartana Ritau is Guru Purnima. The mathavasis hold special conclave on Vaikasi Vishakham, the full moon day of May.

Aum Namah Śivaya

Jai Ganesha!

Last week, Sannyasin Tillainathaswami and Sadhaka Sabanatha made a quick trip to New York City and back. While there they enjoyed spending time with the Nataraj family, as well as exploring around Manhattan. Our monks were in the city for a conference that focused on AI tools in digital media creation and workflows. There were many high-level presenters and executives there, including creative leaders from LucasFilm, Paramount, Nvidia, Runway Ai, Adobe, and a variety of film companies, who are all finding the best way to implement ai into their creations, without sacrificing the heart of their work—human creativity. Many of the media producers there emphasized that they always start with human ideas, artwork, character design, story, etc. and only use ai to supplement the workflows that follow. Nvidia presented info about their new supercomputers and gave a glimpse into where video-creation ai tools are going, as far as their power and speed. Our monks are working to implement some of the ideas presented, particularly from companies that outlined their creative workflow for their short films and tv shows. Hopefully this will help reduce the friction and time in creating our educational content.